Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

17 January 2010

Books I've Finished Reading in 2009


Just for record keeping's sake, I'm pasting the list I'd kept on the sidebar here. Don't think I'm a crazy reader, though maybe I am. A lot of these are short, though--picture books or easy readers. With all my tutoring and teaching ESL this summer, I've tried to keep track of the books I read. Might help me recall some good ones in later times if the opportunities arise again. Also, I did a lot of books on CD this year, driving to and from work and just around town. 

  • A Friend for Dragon; Dav Pilkey
  • A Snout for Chocolate; Denys Cazet
  • A Year Down Yonder; Richard Peck
  • All Things Bright and Beautiful; Cecil Alexander, ill. Anna Vojtech
  • Appointment with Death; Agatha Christie
  • Austenland; Shannon Hale
  • Bear Snores On; Karma Wilson
  • Bee-bim Bop!; Linda Sue Park; Ho Baek Lee
  • Blink; Malcolm Gladwell
  • Bones and the Math Test Mystery; David A. Adler; Barbara Johansen Newman
  • Boo to a Goose; Mem Fox and David Miller
  • Book of a Thousand Days, Shannon Hale
  • Born Blue, Han Nolan
  • Clarice Bean Spells Trouble; Lauren Child
  • Clarice Bean, Don't Look Now; Lauren Child
  • Clifford's Happy Easter; Norman Bridwell
  • Consider Love; Sandra Boynton
  • Crash; Jerry Spinelli
  • Crispin and the Cross of Lead; Avi
  • Crispin at the Edge of the World; Avi
  • Dancing on the Edge; Han Nolan
  • Dragon's Fat Cat; Dav Pilkey
  • Dragon's Merry Christmas; Dav Pilkey
  • FableHaven, Grip of the Shadow Plague; Brandon Mull
  • Fablehaven: Rise of the Evening Star (Fablehaven, #2); Brandon Mull
  • Fairy Dust and the Quest for the Egg; Gail Carson Levine
  • Fancy Nancy at the Museum; Jane O'Connor
  • Fancy Nancy Sees Stars; Jane O'Connor
  • Flat Stanley: Jeff Brown
  • Flipped; Wendelin van Draanen
  • Flush; Carl Hiassen
  • For Biddle's Sake; Gail Carson Levine
  • Good Night, Washington DC; Adam Gamble
  • Gregor and the Curse of the Warmbloods; Suzanne Collins
  • Gregor and the Marks of Secret; Suzanne Collins
  • Gregor and the Prophecy of Bane (Book II); Suzanne Collins
  • Hercule Poirot's Christmas; Agatha Christie
  • Hiroshima; Laurence Yep
  • Hooray for Fly Guy; Tedd Arnold
  • Huggly Gets Dressed; Tedd Arnold
  • Iris and Walter, the School Play; Elissa Haden Guest; Christine Davenier
  • Jody's Beans; Malachy Doyle; Judith Allibone
  • Julep O'Toole Miss Independent; Trudi Trueit
  • Julep O'Toole: Confessions of a Middle Child; Trudi Trueit
  • Just Me and My Little Brother; Mercer Mayer
  • Le Petit Prince, Antoine de St. Expuery
  • Leaf Man; Lois Ehlert
  • Letters from Rapunzel; Sara Lewis Holmes
  • Little Monster's Neighborhood; Mercer Mayer
  • Little Rat Sets Sail; Monika Bang-Campbell; Molly Bang
  • Little Whistle's Dinner Party; Cynthia Rylant, Tim Bowers
  • Little Witch Goes to School; Deborah Hautzig; Sylvie Wickstrom
  • Llama Llama Red Pajama; Anna Dewdney
  • Madeline; Ludwig Bemelmans
  • Marvin K. Mooney will you please go now!; Dr. Seuss
  • Max the Great; W.L. Heath
  • Millie Waits for the Mail; Alexander Steffensmeier
  • Mississippi Trial, 1955; Chris Crowe
  • Money Troubles; Bill Cosby; Varnette P. Honeywood
  • Moon Glowing; Elizabeth Partridge and Joan Paley
  • Nake Mole Rat Gets Dressed; Mo Willems
  • Nate the Great and the MIssing Key; Marjorie Weinman Sharmat; Marc Simont
  • Nate the Great Saves the King of Sweden; Marjorie Weinman Sharmat; Marc Simont
  • Now You See It...; Vivian Vande Velde
  • One of the Third Grade Thonkers; Phyllis Reynolds Naylor
  • Pish and Posh Wish for Fairy Wings; Barbara Bottner and Gerald Kruglik
  • Pollyanna; Eleanor Porter
  • Redwall; Brian Jacques
  • Scat; Carl Hiassen
  • Seven-Day Magic; Edgar Eager
  • Spiderwick Chronicles #1; The Field Guide; Holly Black and Tony DiTerlizzi
  • Spiderwick Chronicles #2, The Seeing Stone; Tony DiTerlizzi and Holly Black
  • Spiderwick Chronicles #3, Lucinda's Secret; Tony DiTerlizzi and Holly Black
  • Stan the Hot Dog Man; Ethel and Leonard Kessler
  • Tales from the Hood; Michael Buckley
  • Teachings of the Presidents of the Church, Joseph Smith
  • Tess of the D'Urbervilles; Thomas Hardy
  • The Bear Snores On; Karma Wilson
  • The Berenstain Bears and the D... The Berenstain Bears and the Double Dare; Stan and Jan Berenstain
  • The Berenstain Bears and the In-Crowd; Stan and Jan Berenstain
  • The Cat Who Went into a Closet (Reader's Digest Book version); Lilian Jackson Braun
  • The Dark Hills Divide; Patrick Carman
  • The Everafter War; Michael Buckley
  • The Fairy's Mistake; Gail Carson Levine
  • The Foot Book; Dr. Seuss
  • The Frog Prince; Gillian McKnight
  • The Graveyard Book; Neil Gaiman
  • The Last Book in the Universe; Rodman Philbrick
  • The Long Winter, Laura Ingalls Wilder
  • The Midwife's Apprentice; Karen Cushman
  • The Nake Mole Rat Letters; Mary Amato
  • The Name Jar; Yangsook Choi
  • The No. 1 Ladies' Detective Agency; Alexander McCall Smith
  • The Princess Test; Gail Carson Levine
  • The Secret of the Old Clock; Carolyn Keene
  • The Silly Gooses; Dav Pilkey
  • The Three Silly Girls Grubb; John and Ann Hassett
  • The View from Saturday; E.L. Konigsburg
  • The Warrior Maiden; Ellen Schecter; Laura Kelly
  • The Wednesday Letters; Jason Wright
  • The Willoughbys; Lois Lowry
  • The Witch of Blackbird Pond; Elizabeth George Speare
  • The Worst Witch Saves the Day; Jill Murphy
  • The Year of the Dog; Grace Lin
  • There was an Old Lady who Swallowed Fly Guy; Tedd Arnold
  • Things are Gonna Get Ugly; Hillary Homzie
  • Three Stories You Can Read to Your Cat; Sara Swan Miller
  • Toot & Puddle: Charming Opal; Holly Hobbie
  • Waiting for Normal; Leslie Connor
  • We the Kids; Founding Fathers and David Catrow
  • When Zachary Beaver Came to Town; Kimberly Willis Holt
  • Where the Wild Things Are; Maurice Sendak
  • Whoosh Went the Wind! Sally Derby and Vincent Nguyen
  • words + math + seasons = mathematickles!; Betsy Franco and Steven Salerno
  • Young Cam Jensen and the Ice Skate Mystery; David Alder

21 March 2009

Gratitude for digitization and search engines

When I first was hearing about Google's big scheme to digitize every book ever written, I was on the publisher's side--not in favor. Working in a job that required me to understand copyright laws to a certain extent, it seemed their goal was clearly in breach.

On the other side of the coin, though, I can't say that I would be entirely opposed to having every book available digitally. I don't think Google should take it upon themselves to do this without publishers' permission. Nor do I think they should have a monopoly. And this is not because I want to read whatever books I can for free, or have easy access to hack into them. I don't even want to read books digitally. I'd much rather read a book away from my computer.

However, there are great advantages to digital versions. For one, I've long wondered why there are never commercials on television for books. It seems such a shame, doesn't it? We get ads for all kinds of nonsense, but not for this. As I was contemplating this last night while watching a TV movie, it occurred to me that ads for movies include attention-grabbing snippets from the movie. This might be a little difficult to do with books. Sure, you could create mini visual scenes from the book, but the joy in the book for many people is the ability to imagine those things without having the media create the image for you. So it would seem more beneficial to advertise with readable snippets. How could this be done? Well, perhaps not so easily on television, but with a few digitized pages available on internet ads, it could be done.

Another reason I would love to have digitized books would be when it comes to writing a paper in which I have to quote books. I must say I would love to have searchable copies of all books available. The search engine is a fabulous invention.

Today, I am working on my thesis essay and have read a few of the books I'm using at least twice and flipped through trying to find the place where something happened on several occasions. I did this kind of thing quite a bit as an undergraduate, but not quite to the extent I have to now, I think--I mean for the same books, time after time. It does get kind of tiresome.

So today I am expressing my gratitude for Amazon because they have acquired rights to copy many books, including at least one that I have to use (found a second after the original post. Yea!). I searched Amazon for the book, then searched the book for some significant key words, and then opened my paper copy and read until I found what I needed. Ta da!

So, maybe now I'm a little torn about the Google thing. There are a number of books I'd like to quote from that aren't Amazon searchable. Could the publishers maybe possibly hurry up with digitizing everything?

03 January 2009

Books I Finished Reading in 2008

Time to start a new list, so I'm copying this into a post for the record.

  • A New Dawn: Jack Weyland (reread)
  • America Street (short stories)
  • Bartholomew and the Ooblek; Dr. Seuss
  • Bronze Dragon Codex; R.D. Henham (Amie Rotruck)
  • Chaucer's Canterbury Tales retold and illustrated by Marcia Williams; Geoffrey Chaucer
  • Cheyenne in New York; Jack Weyland
  • Dr. Seuss's Sleep Book; Dr. Seuss
  • Duck for President; Doreen Cronin and Betsy Lewin
  • Esio Trot; Roald Dahl
  • Every Little Bird that Sings
  • FableHaven; Brandon Mull
  • Forever Kate; Cheri Crane
  • Good Masters! Sweet Ladies!
  • Happy Birthday to You: Dr. Seuss
  • Henry and Ribsy; Beverly Cleary
  • Hooray for Diffendoofer Day!; Dr. Seuss with help from Jack Perlutsky and Lane Smith
  • Horton Hatches the Egg; Dr. Seuss
  • Horton Hears a Who!; Dr. Seuss
  • I Can Lick 30 Tigers Today! and Other Stories: Dr. Seuss
  • I Had Trouble in Getting to Solla Sollew; Dr. Seuss
  • I'll Find You; Clair Poulson
  • If I Ran the Circus: Dr. Seuss
  • Junie B. Jones First Grade! (at last); Barbara Park
  • Just Lost; Mercer Mayer and Gina Mayer
  • Le Petit Nicolas; by Rene Goscinny and Jean-Jacques Sempe
  • Let Down Your Hair from The Princess School series; Jane B Mason and Sarah Hines Stephens
  • Love Beyond Tomorrow; Erin Klingler
  • Love is a Verb; Mary Ellen Edmunds
  • Magician in the Trunk, Time Spies series; Candice Ransom
  • Matilda; Roald Dahl
  • McElligot's Pool; Dr. Seuss
  • Miracles on Maple Hill; Virginia Sorensen
  • Mister Monday; Garth Nix
  • Molly Married? (reread)
  • Olivia; Ian Falconer
  • One Fish, Two Fish, Red Fish, Blue Fish; Dr. Seuss
  • Pearl of Great Price; Jesus Christ
  • Press On; Joseph Wirthlin
  • Problem Child, Sisters Grimm; Michael Buckley
  • Ramona Forever; Beverly Cleary
  • Ribsy; Beverly Cleary
  • Scrambled Eggs Super; Dr. Seuss
  • Seeing Sky Blue Pink; Candice Ransom
  • So B. It; Sarah Weeks
  • Star Girl; Jerry Spinelli
  • Stella Stands Alone; A LaFaye
  • Teens, Temple Marriage, and Eternity; Alan Burgess
  • Tennis Shoes and the Feathered Serpent Book Two: Chris Heimerdinger
  • The 500 Hats of Bartholomew Cubbins; Dr. Seuss
  • The Adventure of Wisteria Lodge; Arthur Conan Doyle
  • The BFG; Roald Dahl
  • The Book of Mormon; various
  • The Butter Battle Book, Dr. Seuss
  • The Doctrine and Covenants; various, Joseph Smith
  • The Fantastic Mr. Fox; Roald Daul
  • The Giraffe, The Pelly and Me; Roald Dahl
  • The Goose Girl; Shannon Hale (reread)
  • The Higher Power of Lucky
  • The King's Stilts; Dr. Seuss
  • The Pearl of Great Price, Jesus Christ
  • The Pearl of Great Price; various, Jesus Christ
  • The Runaway Jury
  • The Schwa was Here
  • The Twits; Roald Dahl
  • The Woman in White; Wilkie Collins
  • To Draw Closer to God; Henry B. Eyring
  • Toot & Puddle; Holly Hobbie
  • Toot & Puddle: The Top of the World; Holly Hobbie
  • Toot & Puddle: You are my Sunshine; Holly Hobbie
  • Toot & Puddle: I'll be Home for Christmas; Holly Hobbie
  • Toning the Sweep; Angela Johnson
  • Twilight; Stephenie Meyer
  • Yearbook; Allyson Braithwaite Condie
  • Yertle the Turtle and Other Stories: Dr. Seuss

09 December 2008

Seeing the Blue Between

Seeing the Blue Between: Advice and Inspiration for Young Poets Seeing the Blue Between: Advice and Inspiration for Young Poets by Paul B. Janeczko


My review


rating: 5 of 5 stars
This is a great book for teaching about poetry. The different featured poets share their sometimes contradictory opinions about poetry, which gives the reader a broad scope of perspectives on the subject. And the poems, too, provide a broad scope of the genre, as well as being cute, clever, and enlightening. The targeted audience is obviously children, but it doesn't need to be.


View all my reviews.

07 October 2008

Choose Your Own Adventure

Yesterday I took a walk in my neighborhood. I've taken walks before, but I decided to find new paths, so I first took this path I found, from a small entrance on the side of the street into a little wooded area. I followed the path for awhile, but soon found the path seemed to have been covered over. I thought it might pick up again, especially since I thought it might connect to another path I'd been on before. I kept going, and indeed found evidences of a path. But eventually, the shrubbery came up to high and I had no choice but to turn around.

Back on the road, though a little further down the road from where I entered, I continued on my way. I hadn't been gone very long, after all.

Soon enough, I found the little wooded park (and I mean little) with the path I'd taken before. It forked right at the entrance. And since I knew, from taking it before, that going left led me quite a ways from home, I decided to take the path to the right and see how close it got me, also curious to see if it connected to the other wooded area.

They might have. But I didn't find out. A chain link fence ran along the middle of the woods on my left as I walked the whole way. And before long, another chain link fence came up on the right, separating the woods from people's yards and homes. That was fine. The pathed area got smaller. That was fine. But eventually, I got to a place where it looked like the fences merged. I kept walking though, maybe out of curiosity or maybe determination. Curiously, the fences didn't merge, and the path continued between them. The path was the whole width of the space between the fences, just a few feet, like a typical path, but it was enough. Kind of fun to explore, I thought. Kind of fun. As i continued, quite a few branches from trees hung over

But well, eventually, the path on the left folded over onto the fence on the right. I could have fit and crawled along the path below the folded over area. It didn't seem too long. But it looked as if the path narrowed significantly afterward. I stopped for a few minutes, wondering if I should try, if it was worth it. Finally I turned around and went all the way back.

But I don't regret going. It kind of felt like a Choose Your Own Adventure book I used to read when I was a kid. Of course I never gave up and stopped reading when I died: got bitten by a snake, sank in quick sand, poisoned by a comrade, or ran into a dead end. I just turned around and picked up where I left off. Perhaps, I thought as I was turning around yesterday, reading those books even gave me some courage to try new things for curiosity. If all else failed, I could just turn around and try something else.

Of course, sometimes I'm not courageous enough, but it's one example of good things books have done.

01 October 2008

National Book Festival

I have a few things I want to blog about, including some tags/memes, but I promised my personal journal on Sunday when I didn't spend much with it that I'd blog about the book festival then copy and paste into it.

So! I've attended the national book festival for the past three years, but for the first time this year I had a friend to go with! Yeah! My temporary roommate Kim. I'm so glad she came with me, too. We had a great time.

We left our apartment around 10:30ish and arrived 11:15, early for the first speaker I wanted to see, Neil Gaiman, so we wandered around the Pavilion of States for a little while. This is one place where it was good to have a friend with me because in years past I've gone to every single state booth with lofty ambitions about seeing where great books were coming from, find great new titles, and uh, getting the freebies. My first year I went late enough in the day that I actually got a free book from Alabama? Toning the Sweep by Angela Johnson--a really good book, too, that I'd read a few years previously and liked. Actually, this year we got free books, too, between the Metro stop and the festival a few girls were handing out books, but I don't know the author. Nice catch, though. I'll never complain about free books! At the Pavilion of States, though no free books, I did get this fancy-schmancy bracelet from Colorado! My first ever of these popular plastic/rubber things and from my home state. Yeah!

And thanks to Kim for not getting us caught up in the states, we made it to Gaiman's talk on time. Not in time to get good seats, but I'm not sure we would even have had seats if we'd tried sitting down half an hour early, when we arrived at the festival. He had a packed audience. We were in the back, as evidenced in my shot. I tried doing a zoom, but I couldn't angle the camera well enough, so that result was only a dark spot of canvas. Oh well. I was there, I promise!

One of the blogs I follow described his performance pretty well, so I won't try to top her: Read Write Believe . I will say that I'm pretty intrigued by The Graveyard Book, though. And it seems everyone else in attendance was as well, because it was sold out at the book sales tent. Oh well. I need to curb my book spending anyway, and although it was nice for him to cut some red tape to get the book sold at the festival a few days before it's release, I probably wouldn't have read it in those two days anyway, and even if I do buy it, I'm sure I can get a better price than full anyway--thank you Borders for your many coupons, and Amazon for "used and new" independent sellers.

After Gaiman, we went over to see Doreen Kronin and Betsy Lewin, the collaborating team who produced the Click, Clack, Moo! series. But we arrived early and saw the last bit of David Shannon's presentation, author of No David! series. He was pretty funny. He drew a picture of David, explaining the reasoning for the shapes and attributes of all of his facial features. Jagged teeth because he doesn't brush and eats too much candy, triangle nose because it's been broken too many times, and a naughty eyebrow and an "I didn't mean to" eyebrow. Very clever. It was no surprise, seeing the real David, that the pictures were drawn of himself by himself when he was little. Definitely some resemblance.

So, we didn't have seats for Shannon, but hoped some people would clear out. No such luck. Only a small handful moved. We did sit though, insistent upon it after standing for the past hour or so, on the grass with the kiddies. Pretty good seat for me, got some good shots, but I guess some of the kiddos were a little too wiggly for Kim. Woops.

So about Kronin and Lewin--
Although they indicated they see each other once a year, their performance made it clear to me they weren't accustomed to working with each other. This didn't surprise me too much-- typically authors just send their manuscripts to the publisher and the publisher then to the illustrator and the author rarely has anything to say about the illustrations. But the odd thing about their show was that they seemed to be trying to work together, but they weren't. Kronin was taking the lead and seeming to forget that she had a partner, so Lewin would step in to remind the kids that illustrators were important too, and that just like they were all writers (as was the platform of many of the children's authors), they were also all illustrators.

I'm glad Lewin did step in to say this, though--it's very important for kids and everyone to realize all of their talents are worth developing. But as for the "everyone" thing, the jury is still out on this one. It came across a little trite to me, and while I would encourage all children and people to write, I'm not sure it's really doing them a service to tell them they are something if they really aren't. Will they live a life feeling like a failure because they just can't muster very good creative stories? Well, not too likely, but still, the fact that some people never will muster a very good creative story is evidence enough that the line is just a gimick. Come on. It's just bad rhetoric. But I guess in this world of bad rhetoric all over the political landscape, it's not surprising to find it in all fields. Okay, so there's my platform for you. They did a few things well, however. They involved the audience in helping to create afun story about a pig and a tiger. It was funny to hear the kids' responses.

After that, we were pretty ready for lunch, and well, hadn't though about planning in advance so got the over-priced mall food, a 3$ hot dog for me. Sheesh! And 6$ chicken and fries for Kim. Hers was a little more reasonable, and more filling, but I only had 4$ cash on me. She shared her fries. So nice.

The next speaker I wanted to see was good ol' Jon Scieszka, but he wasn't speaking until 2:45, so we had about an hour to kill. Fortunately, Doreen Rappaport and Kadir Nelson were slotted in that time frame and for about that long. And they were pretty good. Rappaport repeated that "everyone's a writer" thing, but otherwise, she did fine--lots of enthusiasm, and I loved how she explained all the research she did to find the story of Abraham Lincoln, showing how research and "homework" can be fun, which Nelson reiterated when he took the mike, making a nice unified presentation, though they hadn't apparently planned that. That is, curiously, unlike the previous author-illustrator duo, they made no pretense about working together. First she spoke, ending with her gratitude for a great illustrator to help tell the story, and then let him take over.

His part was really fun, too. He started off a little dry, telling about the research --dry sounding voice that is, but he actually did intrigue me about the research and homework needed for illustrating. Made me think more about that as a fun continuing-education job, that I would appreciate. But then he got fun, calling for volunteer children to come forward to be his models--one as the horse and one as Abraham Lincoln. The kid who played Abe made comments and corrections the whole time, telling him the head was too big, or Abe Lincoln didn't really look like that. It was pretty funny.

Then, finally, the highlight of the day! Jon Scieszka, recently chosen as the first ambassador of children's literature by the librarian of Congress. Sara also wrote about his: Read Write Believe . But I'll add that he also pushed his book about Trucks, still presenting himself as a versatile writer of many genres. And he was indeed, as funny in person as on the page. You'll have to go to the Library of Congress webcasts when they're up.

21 September 2008

Old book storage project

This post probably should have been written quite awhile ago, but I haven't been taking too many photos lately so these were sitting in my camera until today. But alas, here they are--from that project I mentioned awhile ago about my book storage improvement--I painted these crates that I received from a former co-worker back in 2004 when she downsized from a house to a condo, and I was living by myself and grateful for furniture. But they were just old crates, with some jagged splinters. So, having some free time when I came back from Roanoke before starting my first temp assignment, I sanded them down and painted them with some paint I bought back in 2002 when I was going to paint a room I changed my mind about moving into.
The weather was beautiful at that time, late July. I mean, as long as I didn't have to wear a suit that is :)--actually, it was nicer these days than that day, but i also wore shorts and a T-shirt.

And good thing the weather was good because I ended up needing to spend more time than expected outside the following day or two since I made a big mess on the patio. I probably should have looked harder for some plastic or newspaper or something I could lay down, but I was on half-brain mode or something. Instead, I ended up running to Home Depot where they laughed at my predicament and suggested some concrete cleaner, which I happily bought, along with some gloves and sponges. But when I got home and read the instructions, I realized this was stuff you needed a big machine for, like street cleaners. Uh-uh. Not buying or renting one of those. It said you could also try using a mop, so I ran across the street thinking I could buy one of those at the grocery store rather than running down to Home Depot again, but then surprised myself to realize we have a Lowe's right there. So I went in there, looking for a mop or something, and found this other, cheaper and easier paint cleaner thing, took it home and got to work. Most of the paint came off that afternoon. There are still a few peachish speckles, I think, but not too bad.

Now to add to the story, my book collection has also dwindled since this project, though I don't regret it by any means. But I happily remembered during the right season (August-September, text-book buying season) to list some old books on Amazon to sell. Net loss, of course, but at least I got some money back for books I haven't needed and don't care to keep. I love Amazon

31 July 2008

Fresh French

While in Roanoke, I bought a lot of books. I can't help myself. I felt proud of myself for not going to the Green Valley book fair. That's an awful temptation. O didn't even buy any books after the author visits. But I still bought a good handful of other books at the faculty reading. I figured these people I knew and I was happy to get their signatures in the books, too. And then I also received a few gift books from a sweet teacher for my tutorial, in effort to help me with my Sleeping Beauty story by giving me some Medieval history books. Oh boy, history. Yes, I will have to read some history. I actually did read some library medieval history while I was in Roanoke, and it was pretty interesting. You should be proud of me.

But after receiving all these books, I came home thinking I was eager to read so many of them. I just couldn't decide.

Well, because I had taken so many of my own books with me down to Roanoke, and then with the acquisitions, I had a lot of reorganizing to do. I took just about all my books, even the ones that stayed, off the shelves to re-order and even changed the shelves for some topics. I did another project too to make room, but that's another story.

Anyway, in all of this self-enforced rummaging, I ran across this French book that I'd bought in Princeton like about a year and a half ago--le Petit Nicolas. And that was suddenly what I wanted to read. French. All of a sudden English didn't interest me at all. I felt this certain tiredness of English. All of these silly American stories, blah! They all seemed the same. Why couldn't English be like French?

Well, I just finished it tonight, and I have to say it was pretty sweet. Funny, clever, sometimes a little sad--as you'd expect from the culture. Sometimes it was a little predictable. I guess that kind of comes with all kinds of literature. But overall definitely enjoyable. I think I'm going to have to go get some more French books. Is that Green Valley Book Fair still going on?

Just kidding, I think I can read some English again, but I will be reading more French. It's just Fresh. What can I say?

23 June 2008

Validation with a Cinderella Connection

I've noticed that I tend to include little this and that about clothes quite a bit on here, and yet I haven't really considered myself a terrible clothes fanatic. But then in class the other day we had to write down memories of our childhood and I was drawn to remember that I did have a bad habit of judging people based on their clothes, and well, I was quite a bit more clothes conscious when I was in junior high and even to a certain extent in high school. Not that I sought people who were really highly fashionable. No, they just had to have similar level of moderation to mine--not even the same style--just this undefined level of balance between too slummy and too haughty. Perhaps there was a certain level of maturity in that because it seemed once I got to college just about everyone was "just right." But then again, maybe I'd matured by the time I was in college, and it just didn't matter so much any more. Perhaps that's why I look back to those college days with some longing. I could wear blue jeans all day and nice tops and feel I was "just right," because that was just generally what everyone else did. None too haughty or too lowly.

But then the working world came along, and new rules came into play. How I hated that transition. I really would prefer to wear blue jeans all day. That's probably why I was such a pill at that place of work where I did data entry--I wrote about it before but I've since deleted that post because I felt bad about it. Anyway, you might remember it regardless. I think part of it, too, was the money issue. I was a really poor graduate school drop-out at that point, and so when they changed the rules and said I had to wear pants to work, well, what's a girl supposed to do? Most of the pants I owned were pajama pants I'd been sewing with my recent acquisition of a sewing machine, as I strived to improve my skills.

Now we come to the Cinderella connection comes. Nancy Willard is our writer-in-residence this summer, and she came to speak with us this evening. It was a wonderful speech, too. Quite different from a lot of our author guests who talk about their writing career and all that--which is fine, too, not to disparage them. I'm always glad to hear about those things. But anyway, so in Nancy's speech, she was talking about the writing craft with particular attention to the narrator's voice. Things I've learned about before, but the stories she shared were a little new and different. One of them was a Scholastic editor's demand for a new retelling of Cinderella under the belief that what drove the love for the Cinderella story was not the prince, not the pumpkin, not the wicked steps, not even the glass slipper, but the dress. Girls love the Cinderella story because it validates the idea that a change of clothes will create enough of a change so as to change their whole life. I would have to nod my head to that. It makes perfect sense. That's why, as the Scholastic editor based his theory, so many young girls want to dress like Cinderella for Halloween.

So why is that validating for me? Well, I can relate. I still feel, even in my recent work experiences that clothes tend to make you or break you. People notice what you wear and treat you accordingly. That was a point I was trying to get to in that old post I deleted, but couldn't quite get there because all of the experiences weren't adding up. But I think it's true, within certain contexts, expectations. Anyway, I'm dropping this now because it edges so much on judgment that I don't want to cast out.

Aside from the work place, and even the school place--even now being back in school, I'm not as comfortable dressing just however I want to dress because, well, perhaps because it's summer and everyone doesn't just wear blue jeans and nice tops. There are all other kinds of levels of modesty and casualness and fanciness going on. I don't think I base my friendships on how people dress now, but for some reason, clothes are still on my mind under some premise that they can make or break me. Of course it's a total fallacy, which is probably why the Lord had to warn against love of clothing in a few places in the scriptures. But anyway...

I'm not done, nor even "there" yet--that's not the whole of the connection! What I've been trying to get myself to is the literature connection. That considering the high profile Cinderella has in literature, the number and variety of the stories she shows up in, in one form or another, her story is pretty significant to the reading population. So, for a blogger who does like to write about this that and the other thing but who tends to write more about clothes in oddball form and books and writing in slightly less so, but still oddball form, my world is starting to come together to make some certain degree of sense. Clothes and books--there really is a connection.

16 June 2008

What is a Story?

I've been wondering this probably since the first time either it was suggested or I decided to cut a scene from something I was writing, which was actually only fairly recently (within the last two or three years) that I wrote something longer than 20 pages, making such an option, and it's kind of puzzling.

Okay so technically I wrote a 50-page thing in 2001, but I didn't do much cutting there and eventually trashed the whole thing, so we won't go there.

But seriously, although I knew authors did lots of cutting and re-writing, even in my own limited experience with poems, picture books and short stories, the concept of severe alterations was kind of new. So I'm wondering, when scenes are altered so much that they're really not the same scene at all any more, how is it that the story is still the same? I'm not arguing that such alterations change the heart of the story. In fact, quite the contrary, I think they still are, but how is it possible? What is at the heart of a story that makes such alterations acceptable?

So I'll look at the first and simplest example that comes to mind. For my thesis novel, the first very first scene that I ever wrote involved a BYU woman student (I hate the word "co-ed," so don't try to edit me here), in her apartment kitchen beginning to make some cookies for a guy she had a crush on. She remembered that he would be coming home from campus about then, so rushed to the window to watch him come down the campus stairs and into the apartment complex, and shortly thereafter, watched as he began a conversation with another woman, ward member. She got to feeling jealous and insecure and then pre-occupied in her thoughts as she started doing homework while the cookies baked and so as not to look like she's watching them out her window and the cookies burn.

That scene is no longer in my story. But it still fits the heart of the story, the story really did grow out of that. She still bakes him cookies, but she does so in an apartment other than her own. She doesn't remember he'll be coming home, but she does run into him, her arms full of baking ingredients which he helps to carry, on her way to the other apartment. These cookies don't burn. But, she had also tried making cookies earlier, and they burned. But he was not a distraction in that event, only studying. Additionally, although the woman she was jealous of is not currently involved in either of these two scenes directly, she does play the same role in the story, being an enviable distraction to the man our main character is in interested in.

Similar elements, same story, but pretty different too. What's at the heart of it? What are the similarities? The characters are the same. Actually our main character has undergone a name change, to add another twist. But she's still the same character, a little low in self-confidence, not a great cook, and having to bake cookies that she doesn't want to make. The guy is still the ward icon of perfection, although he is not at all perfect. And the enviable character is still that, a flirt and good at it. But these are fairly common characters. In the sequel, which would not be the same book, these characters would still be there. So what else is the same? The setting--the apartment complex where the cookies are made, the ward and the feeling of the ward in that time, though not directly described in these scenes, play a big role in her reason for making the cookies. The proximity to campus, the feeling about baking cookies in the setting, what it indicates about a woman who does and one who doesn't like to bake them, and what it means to bake them for a certain guy. In short, the premise. Right?

In the sequel, although cookie baking may play a role, there would be certain differences simply because the character has already been through that introduction to the world that revolves around how she feels about baking cookies and specifically for a guy and the particular guy that she's baking them for.

Although I hadn't really intended to do this, it does kind of bring up the question about copyrights, doesn't it? If someone else wrote a story that included the scene I first described, my first scene that isn't in the book, would they be infringing on my story? Would their overall story likely be the same as mine or might it be different? Technically they would be infringing if they had seen my draft that included that scene, because although it wasn't published, it was in a fixed medium, and therefore copyrighted according to current laws. But, aside from that, if it were just an idea that I'd described and not written, being just an idea, it wouldn't be copyrighted.

So the question then is, supposing they legally took that first scene, how likely is that they would actually be writing a different story all together if that were the first or early scene in their book? Or, can the premise of a story be the same in multiple books and they each be unique? I guess I'm still wondering. What do you think?

04 June 2008

The Cult of the Book

In spite of the title of my blog, I actually am not a fan let a lone a member of the cult of the book. "-phile" just means you like or maybe love something, but I don't put that on the same level as adoration or worship. But I do think there is a dangerous trend toward this.

The inspiration for this post--it's something I've thought about a lot, but last night I began reading "Inkheart" by Cornelia Funke, which I've heard is excellent. But the cult came out loud and strong in the first chapter. Their house was covered with books, piles here and there and everywhere; the main character Meggie and her dad seem to be constantly reading; his profession is repairing old books.

Really, I don't see anything terribly wrong with this. But it does tend toward the border of wondering if these people live outside of their books. Isn't there also life outdoors? I guess I'm not 100% positive on any statistics to this effect, but is there any evidence that it's not just television but also reading that might encourage a lack of outdoor activity?

Aside from that, the more disturbing part (though still relatively mild) came when Meggie made a negative remark about the stuffy man who brought in Bibles to be repaired by her dad. On the surface there's nothing terribly wrong with this either. The man who brought in Bibles to be recovered might have been stuffy and unpleasant. But it's fiction--he's not real. And he has no other significance to the story. That's why I find it significant that of all the books she mentions, the one she associates with negative things is the Bible.

Of course I'll keep reading. It's not terribly offensive, just borderline. And it might have some redeeming religious relations later. Not likely, but maybe. It does stir up in my mind what I'd been pondering before--that there is this trend toward adoration/worship of books, and not just books generally, but books with the exception of the scriptures.

It's fairly common practice to include in young adult and middle grade books a character who loves reading--some promotion in one way or another of reading. Along with this, many reading advocates promote reading of anything and everything. As long as a child is reading it's great. And then as I've read on many blogs, read in the articles in that Judy Blume censorship collection, and heard more times than I can count, there's this idea that parents should not "interfere" with what their children are reading but let them read anything they want--with Bravos to parents who place no restrictions on their children and don't even give a hoot about what their children read.

Why? So of course, literacy is a concern, and I do understand that when children learn to love reading, their literacy will progress and we'll have more informed and educated citizens and this will all lead to the greater good. But everything? I'm not sure about that.

Why do these people have such confidence in the mass of books out there to instruct better than parents? Does it actually discourage literacy if parents are mindful of their children's reading habits? My guess would be quite the opposite. What children need more than book instruction is loving attention from their parents. Of course, not all parents are good parents, but still. Why should a parent be bravoed for not parenting over such a huge mass of potential influences on their child? That just doesn't make sense to me.

And why, at least in this one case, though it seems a broader feeling, should there be encouragement toward any books but the scriptures? Could it be that the scriptures would be one source that would discourage this cult of the book? Well, I haven't actually memorized the Bible, unfortunately, though I'm pretty familiar with it--had seminary and have attended Sunday School forever. But I haven't really studied the issue of books and such influences specifically in the Bible. In any case, I can't think of something in the Bible that would directly contradict the encouragement to read books.

But there is the verse in Philippians, (Philip. 4: 8) also referenced and reiterated in the Articles of Faith, that says this:
"Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things. "

I like the positive turn this gives to the subject, don't you? It doesn't say don't do this and don't do that, although we do sometimes need that kind of guidance as well (eg. The Ten Commandments do have a handful of don'ts). But it seems with so much good there is out there, as recognized, if we spend our time looking for the good, then why should we waste our time plundering in the bad stuff?

The Doctrine & Covenants, though not as widely familiar as the Bible, also talks to this same point, but actually does address books specifically: 90:15:
"And set in order the churches, and study and learn, and become acquainted with all good books, and with languages, tongues, and people."

So, there you go, another cool verse, --eeh, with a reminder that I shouldn't just be studying fiction, too--learning is a great thing, but it is specific to "good" books, not just any books.

While it doesn't directly address the definition of good here, I think the context as shown in the Philippians verse is revelatory--true, honest, just, pure. Definitely good things there. (In defense of fiction--since the question of truth comes up--I'll say, in case it isn't obvious, that some important truths are masked in tales--Jesus himself taught in parables for the benefit of the people to see at the level for which they were prepared.)

My favorite verse about defining good goes right along with these, the one in Moroni which I mentioned in my long essay about what makes a good picture book, (I think the first post I copied into this blog)--Moroni 7: 12-15:
"12 Wherefore, all things which are agood cometh of God; and that which is bevil cometh of the devil; for the devil is an enemy unto God, and fighteth against him continually, and inviteth and enticeth to csin, and to do that which is evil continually.
13 But behold, that which is of God inviteth and enticeth to do agood continually; wherefore, every thing which inviteth and benticeth to do cgood, and to love God, and to serve him, is dinspired of God.
14 Wherefore, take heed, my beloved brethren, that ye do not judge that which is aevil to be of God, or that which is good and of God to be of the devil.
15 For behold, my brethren, it is given unto you to ajudge, that ye may know good from evil; and the way to judge is as plain, that ye may know with a perfect knowledge, as the daylight is from the dark night."

It sounds kind of black and white, doesn't it? Just like the definition of charity is broken up into all the things this means (actually in this same chapter, but also in Corinthians in the Bible)--patient, long suffering, kind, etc. I appreciate being able to combine this verse with the Philippians verse to understand better what does bring a person to Christ. Of course there's a feeling to it, some obvious things, or he couldn't say so easily the difference is like night and day, but still. I appreciate the details.

For one, accompanying these also with the D&C verse, we know that the scriptures, although the best at bringing souls unto Christ, aren't the only good books available. And indeed, we need to seek for all or many of the good books and good things there are to be found.

And so, considering the multitude of scriptures that talk about raising up your children well, (which I won't quote because there are far too many), I would think there's room for interpretation that parents might be wise to encourage their children in reading good books. And by personal extension, it would seem that this might best come about by their own reading of good books. As my interest lies in children's and young adult books, I'll put my plug in, too, that parents and other adults alike--particularly those with influence on children---might be wise to read some good children's books! :)

So there's my two cents. Parents can be good parents by reading and encouraging reading, of good books, and promote both literacy and parent-child loving relationships. Don't you think it's great how these things can work together? What do you think?

28 May 2008

Next Phase of Thesis!

It couldn't have been more than an hour or two tops after I posted my frustration with 2nd Novel that I received an email from my thesis advisor saying she'd finished reading and was ready with her revision suggestions! She said she'd mail me the marked up copy but in the meantime I got an email with her global comments and you betchure booties I was on top of that. I was really starting to miss my characters, and now I get them back for a little while. And her suggestions are great, of course. It's interesting how much more exciting I am to work on my writing now than I was not too long ago. Hmm.

Roald Dahl

Since I've just finished a little parade of Dahl books, I thought maybe I'd make a few comments about his writing.
First the ones I read over the past week or two:
Matilda
The Fantastic Mr. Fox
The Giraffe, the Pelly and Me
The BFG
The Twits

In the past I've also read: James and the Giant Peach, Charlie and the Chocolate Factory, and Charlie and the Great Glass Elevator

Of them all, I would have say there is really no argument. Matilda is the best, hands down. The characters were best developed, the story line was most engaging, it was well paced and not overly didactic. It's funny to me that some critics get down on the early children's books for being didactic and remarking how far we've come, and though I haven't necessarily heard them compare the old to Dahl, I would say he kind of defies the idea of progress in that area. However, he definitely has advanced in the aspect of silliness, generally speaking. Of course Alice in Wonderland is pretty silly and so is Edward Lear's collection. Interestingly, however, neither of these earlier works is very didactic.

Well, I don't think my critique is getting too far, kind of hard to comment on the slew of them, but overall they're pretty good books. If anything, I was just surprised at how slow they were. Matilda was and I remember James and the Peach keeping up a good pace, but the BFG and The Pelly were terrifically slow. You'd think they'd be quick reads, being rather short books, but my attention wasn't as readily captivated.

2nd Novel

Although I would never ever in a million thousand years suggest it, I'm coming to learn that the true test of your learning in an MFA program doesn't come in the completion of your thesis, but in the completion of the second book after your thesis. I think it's absolutely wonderful to get so much help with workshops and lessons and everything on the thesis, and I'm so glad I've had the help I have on it. And actually, I'm glad too that I'll have the continued opportunity to workshop another potential novel. But as I've finished the first novel, and I await comments from my thesis advisor, I'm trying to write another and finding myself pretty stuck. I have a few ideas, actually, so it's not for a want of ideas, as I've struggled with over the years, it's getting them going. I hear Keisha's lesson from last year on ignoring the internal editor, which I argued about with her --well not really, I was just trying to get it--But now I get it! And yet, I can't get it.
Press on, I guess, right? I'm so looking forward to one more summer at Hollins!

08 May 2008

Censorship

For my class this summer, we have our reading list already so I've been reading ahead, as I have for the past four years. And for the most part, I've enjoyed the books I've read for school for the past few years. I mean my tastes varied for the different books, but I haven't been subject to anything too objectionable--until now, my final year. And now from the most objectionable children's author, Judy Blume. Actually she didn't write the whole book, mostly she was the organizer/editor type with an introductory essay. I suppose this is fitting since she is a highly censored author and the book is a collection of short stories by censored authors. But that fact alone makes me cringe to pick it up. I did though, even read her essay--

which thoroughly irritated me. I'll defend myself in a minute, but I have to say that she really wrote some amazingly closed minded things in an essay objecting to such. Additionally, this essay, as way too many I've read, indicated an unfortunate loss of Aristotle's great lessons of good rhetoric--but that's another entry/essay. (which I might actually write, because I do love the study of rhetoric).

In spite of her essay, I read a few of the short stories, mostly because I'm not convinced that all censored authors write about things as objectionable as Blume does. But some are, and indeed I had to stop with the third or fourth--complete trash.

Before I go further, let me give a little background about my views of censorship. First, I am against it, but well, not exactly in the way Blume and other anti-censors would hope.

I do believe I have some pretty high standards. I think they've been made event in my posts. But I don't consider myself closed-minded. I've read a good number of books that have been censored, because in fact, there are a number of censored books that are censored for reasons that I don't understand. I don't see anything really wrong with Huckleberry Finn, including its language, for example. But maybe if I were black, I would. I don't know. And I don't find Harry Potter's magic too objectionable. And back to Blume--I didn't even see anything really wrong with a book that addresses menstruation. It's one of those truly unavoidables.

But even for those books I hate, I'm all for the first amendment and all that, though I think there are some misunderstandings about the first amendment that tend to get promoted by the anti-censors, quite unfortunately. Still, I'm against it--for the first amendment, yes, but moreso as I was saying, for different reasons.

That is, because some of those who would promote censorship are ignorant of a number of things, including the impact of what censoring a book actually does, they effectivly create the opposite effect to what they'd hoped for. An objectionable book suddenly becomes a highly desired book.

Indeed, there are good reasons for this, aside from the curiosity about what the censors are up to and the scattered dirty minds. In fact, many censored authors are very talented, and the books wouldn't be objectionable at all if the author didn't have some rhetorical skills--the ability to get people to buy into their story--i.e. suspend their disbelief. Things are only objectionable if they're influential.

So, as I was saying--these books become highly desired, get upped on the sales charts, and publishers interpret that people like certain things, often assumed to be the things for which the book was censored. And so the envelope gets pushed even further. Effectually, thanks to censorship, things that would have been considered appalling 20-30 years ago (in the context of what children should read moreso than adults--there have been plenty of objectionable things in adult books much longer) are mainstream now--things that one is expected to see as admirable, perfectly normal, and unavoidable. Judy's essay actually honed me into this as I considered some of the things she included that caused eyebrows to raise at that time. I find those things rampant and mainstream now, 20-30 years later.

So what are we to do about it? We don't want to censor them, but it would be nice to reverse the trend, don't you think? Send the envelope backward? Let people publish their trash if they want to, but protect the people who don't want to read it or feel obligated to write it in order to get published.

As far as protecting people from reading things they don't want to, it seems like a pretty good idea to let readers know what's in the book that might bother them. And personally, I would certainly hope that I would not be forced to read these things or mocked for choosing not to do so. And yet this is another result of censorship. As I learned from the second introductory essay of this short story collection, the representative from the Coalition Against Censorship, because the anti-censors think that closed-mindedness is the cause of the censorship, they would like to respond by opening people's mind and forcing people to read the books and discuss them in schools, because this is supposedly a safe place for such discussions. Excuse me? I've completely lost the logic here. Force people to read things they know they don't like in order to open their minds? And then to discuss them in schools? I'm sorry but I have never found a secondary school a safe haven for discussion! Sure discussions are possible in school because a teacher is a pre-determined discussion leader, but there's no guarantee a teacher has the same values as children and thousands time less likelihood the children are capable of respecting each other's opinions. School is an environment where everyone is required by law to be, with no pre-sorting for different beliefs. School is the place where a number of children's books adequately and accurately portray much peer abuse--psychological and emotional. Why is this a safe place for discussion? Particularly since you've introduced the discussioin with a basis of coercion--forcing the people in class to read what you think is good for them and with which they may disagree.

As for the other point--even if a person isn't forced to read things, it would be nice to know what a book includes in order to make an informed decision about reading it. But, as Judy argues in her essay, she doesn't want her books to be rated. Let the children read what they want to read, she says. Well, I think my thesis indicates the first fallacy in that, but there are more, believe it or not. How can the children know they want to read it before they know what they're getting themselves into? And second, what about adults? Are children really the only ones who are allowed to be troubled by these things? Seriously, I would love a rating on adult books. Not like the movie system--PG, PG-13, R etc. --those too have imbedded the fallacy that age has something to do with it, and although it is content, not the age of the protagonist that produces these ratings on the particular film, the result is more pushing of the envelope (i.e. if it's not PG-13, no one over 10 will care to watch it). No, that's not the kind of rating system I'd like. I want to know what potential objectionable materials, the author and editor have tossed in. As I indicated earlier, I might not agree that it's really objectionable, but at least I'll know and can make an informed decision.

Of course, you might argue that there are a number of places that do book reviews and I could find such information by doing a little research in this way. But my argument again would be that things that were considered objectionable twenty years ago are mainstream now. You don't find that information in reviews because reviewers either don't find material objectionable or more likely they're afraid to admit it because the ideology has been thrust upon them by the years of envelope pushers.

Some kind of rating system, included on the cover of the book would be ideal--let the publishers be accountable for the material they're putting out.

But more than that, I just want some good authors to step out and stop tossing all the trash in. I'd like to see books that have "clean" written on their "label." Seriously. If you don't like profanity, don't write it! If you don't think extra-marital relationships are acceptable, don't give in! Don't contribute to making the world think that people who do immoral things need to be admired. Stop making us think that everyone does immoral things. Just stop it. If you're doing it because you think you need to capture reality--don't worry, we get. We your readers live in the same world as you. We know reality. Depict the good things in it, the way your real imagination will take you, and give us a break from the bad.